Tuesday, April 22, 2014

Getting back into 3D

video

A quick few second lip sync. It was actually more fun than I thought it would be because the last time I used a 3D program was five years ago, but back then I was still figuring out how to Animate as well as learning a technically heavy program. Present day I have a better grasp of animation making things easier. 

Out with 2013 and in with 2014

The comic I've been working on for most of 2013 is posted as a link to a Google Drive Viewer at the top of the Comic's page. Also check out the Animation page because I made some changes there as well. Enjoy!

Monday, December 17, 2012

Happy Holidays, 2012!!

Everyone be safe during the holidays! 

Wednesday, November 21, 2012

Dames and Dinosaurs: All Wet

Dames and Dinosaurs: All Wet

I like drawing women and dinosaurs so why not put them together? This is the first print in a series themed: Dames and Dinosaurs. This was inspired from being shut in due to a rainy weekend in the SF Bay Area. I felt more like the dinosaur. I was not amused, lol. But, I was able to create this print so enjoy!

PROCESS

 Sketch
First step is coming up with an idea and then thumb-nailing it. Unfortunately I've saved over my thumbnail so I can't share it. So I'm skipping ahead to the sketch. During the early stages of the drawing process I prefer to work digitally using Adobe Photoshop. This frees me up mentally because I'm not bound to the drawing since it's just pixels allowing me to make drastic changes to better the art. Once I get something I like I convert it to a blue lined image. For Photoshop Users: Image > Mode > GrayScale > Duotone. In the color adjustment window that pops up after selecting Duotone adjust just the Cyan channel only to your liking in the CMYK section and zero out the rest of the color channels. I have a printer that can handle 11x17 bristol so I print blue line directly on to the paper. 

Pencils

Now that the sketch is blown up I'll go in and refine it further with blue pencil. Usually hands and faces need further refining. I stick to blue because it's easier to get rid of once it is scanned in allowing only the black ink to be left. 
Inks
Now my FAVORITE part, inking. I've switched inking tools through the years. Currently I like Raphael 8404 Kolinsky Sable #1 as my brush and for the nibs I use a G-nib or a Maru nib. I use the brush when I need to create very controlled smooth lines with varying thickness.  For example the girl is mostly brush. The nibs I use to get more of a sketchy drawing feel. The dinosaur is all nib so he is "rougher" in contrast to the girl. For my ink I enjoy cheap Speedball Special Black. It's watery which reacts better with a brush and if you're into washes you can get varying gray tones in the ink. The paper is Strathmore 500 series Semi-Smooth Bristol, which is kind of hard to find in art stores unless you have a nice comic community in your area. I order mine online from Blick Art. I use papers with a tactile surface as opposed to a smooth finish because I actually get more control when inking. As a professor explained to me if you zoom into the paper you will see that a rough surface will have peaks and valleys that are trying to grab at the bristles of a brush. This actually forces the brush to retain its tip allowing more control. Pretty neat, huh?

Once the inking is complete I scan in the image and get rid of the blue line using the Photoshop Channel Mixer. Then switch the image mode to grayscale and bump up the contrast so the black ink can really get beefed up. From there I color it. 

I will admit this is brief outline and hopefully in the future I'll create a detailed document.

Until then if you have any specific questions about my process please shoot me an email: robinholsteindraws@gmail.com

Tuesday, November 13, 2012

Tabs Change

The COMMISSION's tab is now the SHOP tab. 

Friday, November 9, 2012

Time to SHOP!!

I would like to announce that I've opened up a STORE to sell my art. This is an exciting new area for me and I'm happy to include it as an option for my fans who would like a physical copy of my work. So please go check out and if you have any questions don't hesitate to contact me.

Here are some of the prints that I'm selling.







Saturday, July 21, 2012